Selected Works
My work and research use multiple forms and materials to address the delicate territory of race, memory, power, and capital. I create sites for contemplation and engagement transforming quotidian signage and pop-cultural references into complex critiques of capitalism, race, and class politics.
You keep on knockin' but you can't come in, 2018.
Slime Green Head Peanut Butter Inside, 2018, Lithograph, 8x6 in
Selfie, 2015, Lithograph, 30x22 in
Do I Have to Pay it Back?, 2018, Lithograph, 15x11 in
Payday Loans, 2018, Lithograph and Pearl Ex Powdered Pigment, 15x11 in
Anyone Can Refer a Friend, 2017, Watercolor, 18x12 in
COCHINANASTY. Rony Sexually: A good passer, for a big man. 2018. Pastel, glitter, and permanent marker on found screen print. 4x4 ft
Kimmie Mask, 2017. Papier-mache, acrylic paint, KKW BEAUTY Contour Powder, and Ink. 9x5.5x3 in
Like Mike, 2017. Papier-mache, acrylic paint, Pepsi, Jesus juice. 9x5.5x3 in
Espeederman, 2017. Papier-mache, acrylic paint. 9x5.5x3 in
Sandia Casino Veladora, 2017, Lithograph, 22x19 in
Ex Voto, 2015, acrylic on wood, 15x10 in
Conga Line, 2017, Risograph, 17x11 in
The Most Used Phrase in the World, 2016, Fly Swatter, 14 in
Cruising Down Cerrillos, 2018, Lithograph, 22x15 in
St. Lucha, Give me a Sign, 2015, Lithograph, 44x30 in
Veladora, 2015, Woodcut, 15x13 in
Monja Coronada, 2015, Lithograph, 22x15 in
Livin' in AmericAAA, 2014, Lithograph, 18x13
Me Gustas, but You're Loco, 2016, Digital Print, 30x44 in
Image from Communion performance, 2015
Image from Sanctuary performance, 2017
Fried Chicken with Jacy, 2015, Lithograph and Chicken Grease, 22x15 in
Ramp, 2016, Album cover for Disciples of Tim "Ramp"
